Evidence-Based Management

   
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  EBM: Home > Guest Columns > Andrew V. Abela (April 1, 2008)
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Evidence-based Presentation Design

Andrew V. Abela, Ph.D.
Assistant Professor of Marketing
Department of Business and Economics
The Catholic University of America

It’s ironic: practicing Evidence-Based Management often involves presenting evidence, and yet the way we present that evidence frequently itself violates other evidence, evidence about effective presentation design.

Beliefs that only 7% of your message is in what you say and the rest is non-verbal, for example, or that each slide should contain seven bullets of seven words each, are based either on a faulty misreading of the empirical research or are directly contradicted by the research.

Fortunately, there is ample evidence—from research in communications, psychology, marketing, education, multimedia computing, and law—that can be used to establish design guidelines for effective presentations. The overall conclusion of this research is appealing from an EBM perspective: spend less time on decorating your slides and more time on perfecting your content—your evidence. Here are ten principles for evidence-based presentation design: the first three are about eliminating embellishment, and the following seven are about perfecting content.

Less time embellishing your slides

One of the most harmful consequences of the use of presentation software has been the ease with which such products enable users to add adornment to their presentations. Here the research indicates that, almost without exception, this not only wastes time but also hinders effective communication.

1. Eliminate all irrelevant information or images

Several studies have shown that irrelevant images and details reduce audience comprehension and recall—in advertising, for example, irrelevant information weakens consumers’ beliefs about product effectiveness. Even simple (but still irrelevant) elements as 3D effects in graphs can harm communication effectiveness. In general, anything that is not squarely focused on delivering or supporting your message seems to detract from it.

2. Avoid slide transitions

Research indicates that using slide transitions reduces audience attention and agreement. Therefore avoid using fades, wipes, or “cha-ching” sounds when moving from one slide to the next.

3. Use animation only if absolutely necessary

The only time that animation within a slide is useful is when the animation itself provides information that static images could not, such as when you are trying to explain how various complex parts of a process come together. Animation for its own sake is harmful to communication.

More time perfecting your content

To strengthen the effectiveness of your presentation, use the time you saved from not embellishing your slides to refine your argument, details, story, and graphics.

4. Support your recommendations from multiple angles

The evidence here indicates that the more arguments and support you offer in favor of your recommendations, the more likely your audience will be persuaded. Perhaps surprisingly, you should also include arguments against your recommendations: this increases your credibility and protects you from counter-arguments. Lawyers call it “stealing thunder”: bringing up—and responding to—negative arguments before anyone else does significantly weakens those arguments.

5. Provide details

Concrete details make your communication more interesting, memorable, and persuasive. The evidence here is that even the more conceptually oriented members of your audience, who may choose to ignore your details, will nevertheless perceive you to be more credible because you provided details.

6. Explain why your recommendations will work

Experiments show that causal arguments (e.g. “adding this new feature increases customer satisfaction because it provides a sense of control”) are more persuasive than statistical evidence (“adding this feature increases customer satisfaction by 8%”).

7. Weave your content into the form of a story

Stories are easier to remember than lists of evidence, in part because they allow the mind to make more connections, which improves memory. They are also more memorable to the extent that they engage emotions. Under some circumstances, people appear to take information that comes to them in a non-story form and turn it into a story. For example, legal research suggests that juries in criminal trials use a story approach to make sense of the trial data, and there is reason to believe that other audiences do this also. If your audience is going to turn your data into a story, why not help them by doing it for them? This way you will have more control over the story and make your presentation more memorable at the same time.

8. Use graphics extensively

When graphics are included in presentation visuals (such as charts, diagrams, or photographs), then audience recall, persuasion, and positive attitudes to the material all improve.

9. Keep material together

The evidence here is that—contrary to popular belief—breaking complex information down and presenting it in multiple simple pieces is actually less effective than presenting everything at once. This is likely because remembering each piece as it goes by is burdensome. Better to show the entire thing in all its complexity, and explain it. Other research concludes that presenting graphics and accompanying text close together in both space and time improves audience learning. So show a graphical representation of your complex information, place text labels right next to the more important parts of the graphic (this increases memorability), and explain the graphic verbally. For a sufficiently complex diagram, provide printed copies rather than projected slides because this allows you to use much finer detail and smaller type fonts, and therefore keep more of your information together on the same page.

10. Use color for emphasis—and only for emphasis

Other than in color photographs—where the color used is natural—it would seem that the only role for color in serious communication is for emphasis. Research on print advertising found that where color is used to highlight or reinforce particular graphical elements, this tends to improve persuasion. But where color is used just for decoration, then the more likely outcome is that the audience will waste mental effort trying to decode the meaning of each color (“Why is that bar green and the other one blue…? Are they related to the green and blue frame around that text box…?) Black and white slides do not have this problem.

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When you present evidence, make sure that you use presentation techniques that are themselves supported by evidence.
 

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Selective Bibliography

Introduction

7% claim based on a faulty reading of Mehrabian, A. (1981), Silent messages: Implicit communication of emotions and attitudes. Belmont, CA: Wadsworth; this faulty reading repudiated by Mehrabian here [book description]

Seven bullets of seven words claim based on a flawed reading of Miller, George A. (1956), “The Magical Number Seven, Plus or Minus Two: Some Limits on Our Capacity for Processing Information,” Psychological Review, 63, 8109; repudiated by Miller in a 1998 email to Mark Halpern.

1. Eliminate all irrelevant information or images

Bartsch, Robert A. and Kristi M. Cobern (2003), “Effectiveness of PowerPoint presentations in lectures,” Computers & Education, 41 (1), 77-86.

Edell, Julie A. and Richard Staelin (1983), “The Information Processing of Pictures in Print Advertisements,” Journal of Consumer Research, 10 (1), 45.

Fischer, Martin H. (2000), “Do irrelevant depth cues affect the comprehension of bar graphs?” Applied Cognitive Psychology, 14 (2), 151-63.

Mayer, Richard E. (2001), Multi-Media Learning. Cambridge, UK: Cambridge University Press.

Meyvis, Tom and Chris Janiszewski (2002), “Consumers’ beliefs about product benefits: The effect of obviously irrelevant product information,” Journal of Consumer Research, 28 (4), 618.

Moreno, Roxana (2006), “Learning in High-Tech and Multimedia Environments,” Current Directions in Psychological Science, 15 (2), 63-67.

Slykhuis, David (2005), “Eye-Tracking Students’ Attention to PowerPoint Photographs in a Science Education Setting,” Journal of Science Education & Technology, 14 (5/6), 509-20.

2. Avoid slide transitions

Vogel, Doug and Joline Morrison (1998), “The Impacts of Presentation Visuals on Persuasion,” Information & Management.

3. Use animation only if absolutely necessary

Tversky, Barbara, Julie Bauer Morrison, and Mireille Betrancourt (2002), “Animation: Can It Facilitate?” International Journal of Human-Computer Studies, 57, 247-62.

4. Support your recommendations from multiple angles

Allen, Mike (1998), “Comparing the Persuasive Effectiveness One- and Two-Sided Message.” In Persuasion: Advances Through Meta-Analysis, eds. Mike Allen and Raymond W. Preiss. Cresskill, NJ: Hampton Press.

Pechmann, Cornelia (1992), “Predicting When Two-Sided Ads Will Be More Effective than One-Sided Ads: The Role of Correlational and Correspondent Inferences,” Journal of Marketing Research, 29 (4), 441.

Petty, Richard E. and John T. Cacioppo (1984), “The effects of involvement on response to argument quantity and quality: central and peripheral routes to persuasion,” Journal of Personality and Social Psychology, 46 (1), 69-81.

Williams, Kipling D., Martin J. Bourgeois, and Robert T. Croyle (1993), “The effects of stealing thunder in criminal and civil trials,” Law and Human Behavior, 17 (6), 597-609.

5. Provide details

Artz, Nancy and Alice M. Tybout (1999), “The Moderating Impact of Quantitative Information on the Relationship Between Source Credibility and Persuasion: A Persuasion Knowledge Model Interpretation,” Marketing Letters, 10 (1), 51-63.

Fernandez, Karen V. and Dennis L. Rosen (2000), “The effectiveness of information and color in yellow pages advertising,” Journal of Advertising, 29 (2), 61.

Morgan, Susan E. and Tom Reichert (1999), “The message is in the metaphor: Assessing the comprehension of metaphors in advertisements,” Journal of Advertising, 28 (4), 1.

Rossiter, John R. and Larry Percy (1980), “Attitude Change Through Visual Imagery in Advertising,” Journal of Advertising, 9 (2), 10.

Walker, Ian and Charles Hulme (1999), “Concrete Words Are Easier to Recall Than Abstract Words: Evidence for a Semantic Contribution to Short-Term Serial Recall,” Journal of Experimental Psychology, 25 (5), 1256-71.

6. Explain why your recommendations will work

Slusher, Morgan P. and Craig A. Anderson (1996), “Using Causal Persuasive Arguments to Change Beliefs and Teach New Information: The Mediating Role of Explanation Availability and Evaluation Bias in the Acceptance of Knowledge,” Journal of Educational Psychology, 88 (1), 110.

7. Weave your content into the form of a story

Cahill, Larry, Ralf Babinsky, Hans J. Markowitsch, and James L. McGaugh (1995), “The amygdala and emotional memory,” Nature, 377 (6547), 295.

Kazui, Hiroaki, Etsuro Mori, Mamoru Hashimoto, and Nobutsugu Hirono (2003), “Enhancement of Declarative Memory by Emotional Arousal and Visual Memory Function in Alzheimer’s Disease,” Journal of Neuropsychiatry and Clinical Neurosciences, 15 (2), 221-26.

Mallon, Bride and Brian Webb (2000), “Structure, causality, visibility and interaction: propositions for evaluating engagement in narrative multimedia,” International Journal of Human-Computer Studies, 53, 269-87.

Pennington, Nancy and Reid Hastie (1991), “A cognitive review of juror decision making: The Story Model,” Cardozo Law Review, 13, 5001-39.

---- (1992), “Explaining the Evidence: Tests of the Story Model for Juror Decision Making,” Journal of Personality and Social Psychology, 62 (2), 189-206.

8. Use graphics extensively

Benbasat, Izak and Albert S. Dexter (1985), “An Experimental Evaluation of Graphical and Color-Enhanced Information Presentation,” Management Science, 31 (11), 1348-64.

King, Wesley, Marie Dent, and Edward Miles (1991), “The Persuasive Effect of Graphics in Computer-Mediated Communication,” Computers in Human Behavior, 7.

Rossiter, John R. and Larry Percy (1980), “Attitude Change Through Visual Imagery in Advertising,” Journal of Advertising, 9 (2), 10.

9. Keep material together

Mayer, Richard E. (2001), Multi-Media Learning. Cambridge, UK: Cambridge University Press.

Moreno, Roxana (2006), “Learning in High-Tech and Multimedia Environments,” Current Directions in Psychological Science, 15 (2), 63-67.

Myers-Levy, Joan and Sandra A. Peracchio (1995), “Understanding the Effects of Color: How the Correspondence between Available and Required Resources Affects Attitudes,” Journal of Consumer Research, 22 (2), 121.

Nadolski, Rob J., Paul A. Kirschner, and Jeroen J.G. van Merrienboer (2005), “Optimizing the number of steps in learning tasks for complex skills,” British Journal of Educational Psychology, 75, 223-37.

10. Use color for emphasis—and only for emphasis

Christ, R.E. (1975), “Review and analysis of color coding research for visual display,” Human Factors, 17, 542-70.

Fernandez, Karen V. and Dennis L. Rosen (2000), “The effectiveness of information and color in yellow pages advertising,” Journal of Advertising, 29 (2), 61.

Kelly, K. J. and R. F. Hoel (1991), “The Impact of Size, Color, and Copy Quantity on Yellow Pages Advertising Effectiveness,” Journal of Small Business Management, 29 (4).

Lewandowsky, Stephan and Ian Spence (1989), “Discriminating Strata in Scatterplots,” Journal of the American Statistical Association, 84 (407), 682-88.

Myers-Levy, Joan and Sandra A. Peracchio (1995), “Understanding the Effects of Color: How the Correspondence between Available and Required Resources Affects Attitudes,” Journal of Consumer Research, 22 (2), 121.

 

© A. Abela, 2008
 

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Posted on April 1, 2008